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	<TITLE>PAI Media: Clients: Professor &amp; Maryann</TITLE>

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		<TD WIDTH="100%" COLSPAN="2" CLASS="artist">Professor & Maryann</TD>
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<DIV CLASS="header">What's New</DIV>
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Professor and Maryann released their new record, Runaway Favorite on June 10th, 
and the critics are already weighing in. 
<p><strong><font color="#000000"><a href="http://www.rockreviews.net/">RockReviews.net</a></font> 
  </strong><strong><br>
  <br>
  <font color="#000000"><a href="http://www.smother.net/reviews/modernrock.php3?ID=306">Smother.net</a></font><br>
  <br>
  Village Voice</strong> (6/03/03)<br>
  On their new fourth album, Runaway Favorite, our electric metropolis&#8217;s 
  venerable bistro-folk duo sing typically smokey songs about bibles and guns, 
  dreary taxi-less days, carnival tubas on Christmas, and lots of rain. But as 
  always, to really appreciate their brainy-geek-and-Italian-hottie ethos, you 
  gotta look at them. (eddy)<br>
</p>
<p><strong>Time Out- New York</strong> (May 29 &#8211; June 5th)<br>
  On their second collection of songs, Runaway Favorite (Happy Thighs), Ken Rockwood 
  and Danielle Brancaccio, aka Professor and Maryann, display rich, old-fashion 
  pop. It&#8217;s the cool side of adult contemporary.<br>
</p>
<p><strong><a href="http://pressofatlanticcity.com/entertainment/nightlife/band1.shtml">Press 
  of Atlantic City review</a></strong></p>
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<p> Professor and Maryann have been perennial favorites on the NYC music scene 
  for nearly a decade&#8249;building a dedicated fan base, and receiving rave 
  reviews from the critics for their distinctive sound.</p>
<p>With the recording of their new record, Runaway Favorite, the duo has taken 
  their music to new heights as they add drums, bass and strings to their already 
  lush sound&#8249;making for a truly special record, and a captivating live act.</p>
<p>Their strength being in the beauty of their simplicity, Danielle's sensuously 
  velvet vocals playing off Ken&sup1;s elegant harmonies and subtle hooks. </p>
<p>Described best by Ted Anthony of the Associated Press when he said: Her voice 
  is like an instrument and his guitar is like a human voice, and rock critic 
  Vic Garbarini from Playboy says, &#338;I can listen to her [Brancaccio] sing 
  the Chicago phonebook and be in total bliss.the duo balances the cerebral with 
  dark good looks.&shy; The New Yorker.<br>
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